A Conversation
with Franklin.

Printer,
not a
monument.

Benjamin Franklin is eighty-one, gouty, vain, and still curious. Pull up a chair. He would like to know what you do for a living.

Apply for the text pilot

The text pilot is working. Access is by personal invitation.

Applications open now · First invitations planned for early October 2026.

A HISTORICAL CONVERSATIONWorking text pilot · Voice and Unreal to follow
An elderly Benjamin Franklin in a plain coat, painted by Joseph Siffred Duplessis.
BENJAMIN FRANKLINPrinter. Philadelphia. 1787.
01 / THE CONVERSATIONBring a question. Leave room for his.

They come to see a relic.
He offers a chair.

There is a man behind the familiar portrait. A printer with ink on his account, a taste for experiment, and a few things he has yet to put right.

I.

A scene, then a question.

The shop. The wet string. A room full of men who disagree. He should give you something to think about—and want to hear your answer.

II.

Your day. His year.

The day and season follow yours. The year stays 1787. His memories stop at that date; anything beyond it reaches him as a visitor’s strange account.

III.

An unfinished account.

Vanity, family, slavery, years away from home. The conversation is meant to leave his difficult history visible, including what he failed to do.

AT THE DOOR

He speaks first.

The opening exchange
as an introduction.

FRANKLIN

“I am Franklin, of Philadelphia. Printer, not a monument. The year is 1787, and the stairs argue with my gout. What am I to call you?”

YOU

I’m a librarian in a university.

FRANKLIN

“Then we are in the same trade, only you keep the sheets bound and I used to get them dirty. What question do your readers actually come in with—the one they are ashamed to ask the catalogue?”

02 / TAKE A SEATA few places to begin

What would you ask him?

Choose a question to include in your pilot application.

03 / A PLACE AT THE TABLE

For people who
keep history
in conversation.

Museums & galleries

Try him beside the press, the electrical experiment, or the portrait. Test whether a conversation opens a question the label leaves closed.

Universities & classrooms

Bring a question from print culture, political thought, or the history of science. Examine the interpretation as closely as the answer.

Libraries & reading rooms

Ask what books in common can do for a city. Then tell him what your readers need from a library now.

04 / HISTORICAL HONESTY

A source.
A voice.
A little doubt.

These are the standards we are testing.
Your notes help us find where he falls short.

  1. A date he cannot see beyond.

    His present follows your month and day within 1787; later events must never appear as things he already remembers.

  2. A memory built from sources.

    The intended source base includes his writings, letters, and contemporary records of his scientific and civic work.

  3. Interpretation, clearly named.

    This is an AI-generated historical interpretation. Most speech is dramatic paraphrase; a documented quotation needs an identifiable source.

  4. Room to say “I do not know.”

    The aim is to acknowledge a gap rather than fill it with a legend. The pilot asks you to test that promise.

Open the source notebook

These source families inform the character’s memory. Their use and the accuracy of his answers are part of the pilot review.

  • The Autobiography
  • Poor Richard and The Way to Wealth
  • Electrical letters and correspondence
  • Collected papers and Convention records
  • Library, fire company, and abolition society records

Historical records available to the project are not automatically memories available to Franklin on a given date.

05 / THE VOLUNTEER PILOTGood notes matter more than numbers.

A small
reading group,
not a product launch.

The text pilot is already working. We are gathering historians, educators, librarians, curators, and curious readers to test it with us. Tell us where the man fails and the statue returns.

An application is not an access pass.

We review requests individually and invite a small group. When access opens, each approved participant will need to sign in with their own approved account. There will be no anonymous or open access to the chat.

  1. 01
    After your invitation, give him 20–40 minutes.

    Bring a real question from your discipline.

  2. 02
    Comment on a reply.

    Mark a specific reply and add a note: a wrong fact, a thin answer, or a moment that felt like a real conversation.

  3. 03
    Send it with one click.

    Send the conversation and your comments together to our team for analysis. The relevant context travels with your notes.

For institutions considering a trial

Participation in the pilot is free. We can arrange a small, supervised trial with your institution and gather feedback through the same planned chat-commenting tools. Each participant’s access must be approved.

If you find it useful and are willing, we also welcome a letter on your institution’s letterhead describing what you tested and its educational or interpretive value.

PULL UP A CHAIR

Apply for the text pilot

Tell us who you are and what you would like to ask. Applications are reviewed personally. An invitation is not guaranteed.

How we use your details

Your name, email, role, organization, message and choices are stored for the project’s organizers to review and respond to. They are not displayed publicly or sold. Submitting does not verify your email, create a chat account or grant access.

You may use this form to request correction or deletion of your details. Short-lived records help limit repeated automated submissions.

06 / THE PLANThe same Franklin, in each medium.

He has more to say.

WORKING NOW

The written conversation.

The text pilot is already working. Apply now for a place in the invited test group. First invitations are planned for early October 2026.

Applications open · Chat by invitation
TARGET: FEBRUARY 2027

A voice across the table.

Next comes voice conversation, with as little delay as possible. The aim is an easy, hands-free exchange, with the same character and historical boundaries.

Voice is the next planned stage
PLANNED FOR 2027

A face to the conversation.

An Unreal Engine figure of Franklin, with lip-sync, facial expressions and emotional performance. The same person, now visibly present.

In the development plan

These are our working targets for a volunteer project. We will keep participants informed as the work progresses.

WHY WE ARE DOING THIS

For the work.
And the conversation.

This is an entirely volunteer project. There is no project budget; the creator pays for the model servers personally. Participation is free, and we are not asking for money. What we need most is curiosity, time, and thoughtful criticism.

We are not running a fundraising campaign. If you would like to offer an unconditional financial contribution, you are welcome to write to us—we may accept it. Support does not buy access or move anyone ahead in the pilot.